Cecilie Gravesens installations of objects and film look at the translation between reality and rumour, navigating through events that are normally overlooked. Arrangements of residue enquire about the status of such findings, as they shift between being utalitarian instruments and spirited vehicles. Gravesens method produces a form of subjective documentary, sitting between investigative archaeology and instinctive whittling.
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Alongside her art practice, Cecilie curates exhibitions and writes for art publications:
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Cecilie Gravesen, Generation, 2007
collage on paper, 28 x 21.5 cm.